I'm a bad seed, this titular antihero proclaims, his angry eyes taking up the majority of the page. A baaaaaaaaaaad seed. Brow firmly furrowed, the little but fierce sunflower seed marches through the city streets while a variety of other seeds and nuts scamper out of his way, agreeing with him (There goes a baaaad seed). What makes him so bad? He lies, he's late, he doesn't listen, he tells boring jokes, and he never puts things back. Of course, he wasn't always like that: like many bad guys, he's got a pretty tragic backstory. But maybe he's done being bad. Maybe he wants to be good again if he can remember how. The message, though heavy-handed, is well-intentioned, and the watercolor illustrations provide plenty of comic effect. Young readers will enjoy watching the dramatic seed intimidate his nervous neighbors, and might not even realize they're learning a lesson about good behavior in the process.--Reagan, Maggie Copyright 2017 Booklist

He's bad all right. Never washes his hands. Lies "about pointless stuff." Cuts in line! But the antihero of this inspired collaboration between John ("All My Friends Are Dead") and Oswald ("Mingo the Flamingo") has a fascinating back story, involving a happy childhood on a sunflower, a terrifying incident at a ballpark that sent him to the dark side and years of delinquency before he decides to reform. This is kid-book humor at its best, both warmhearted and frisky - the kind that leaves adults, too, cracking up and grateful. BIZZY MIZ LIZZIE Written and illustrated by David Shannon. 40 pp. Scholastic. $16.99. (Picture book; ages 4 to 8) We all know a Lizzie, the high-flying young bee who kills it in school and pursues dance, acting, art and baseball, plus Honey Scouts. She wants to win the spelling bee and meet the Queen, but conks out. Visiting her lazy friend Daizy, who hangs out smelling flowers, Lizzie encounters the Queen -who's "busy doing nothing." With his livewire lines and fervent brush strokes, Shannon ("No, David") specializes in making manic kids like Lizzie sympathetic. There's a gentle sting instead for adults who overschedule their little achievers. HIS ROYAL HIGHNESS KING BABY By Sally Lloyd-Jones. Illustrated by David Roberts. 48 pp. Candlewick. $16.99. (Picture book; ages 4 to 7) Has there ever been a baby as wicked as this one? Lloyd-Jones ("How to Be a Baby ... by Me, the Big Sister") and Roberts ("Rosie Revere, Engineer") take the baby-as-royal-tyrant trope out for an exhilarating spin. A new big sister - a "cruelly mistreated Princess" with "long, flowing wondrous hair" that looks a lot like yellow tights - refuses to roll over when her new sibling sucks up all the attention. The Princess's histrionic crayon drawings of the goings-on accompany delightfully detailed tableaus of life in a baby-mad family. ACCIDENT! Written and illustrated by Andrea Tsurumi. 48 pp. Houghton Mifflin Harcourt. $17.99. (Picture book; ages 4 to 7) There are kids who seem to court trouble, and there are kids who live in fear of doing anything even vaguely wrong. Those junior catastrophizers populate this groovy debut, in which a bug-eyed armadillo named Lola sets off a raucous chain of events when she knocks over a pitcher of fruit punch. Mortified, she flees to the library, planning to hide there "till I'm a grownup." En route she's joined by creatures escaping their own disasters. The action is largely in the thickly detailed images, lending an updated Richard Scarry-style vibe. THE SCREAMING CHEF By Peter Ackerman. Illustrated by Max Dalton. 32 pp. David R. Godine. $17.95. (Picture book; ages 4 to 8) In a stylish world of midcentury modern décor, a boy screams nonstop. His parents are out of ideas. Realizing he never shrieks when he eats, they cook him amazing food, but he grows huge. Soon he's cooking himself and opens a fancy restaurant. The customers flock, but his frustration rises. The screaming starts again, until he adds singing to his repertoire. Ackerman and Dalton ("The Lonely Phone Booth") have cooked up something witty and, as an example of the parental art of redirecting, perhaps inadvertently wise. ONLINE An expanded visual presentation of this week's column is at nytimes.com/books.

Exaggerated facial expressions (those evil eyebrows!) and clever page turns and perspectives reveal how a lone sunflower seed became a "baaaaaaaaaaad seed" with terrible manners. Detailed digital illustrations convey the other seeds' varied reactions to him. Eventually he realizes he's "ready to be happy" again, and he begins to change his ways. Deadpan wit makes this a great read-aloud. (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

K-Gr 2-Corn kernels, pistachios, peanuts, and other seeds gasp and point as a "baaaaaaaaaaad seed" goes by. When others mumble about him, he can hear them because he has "good hearing for a seed." The bad seed tells "long jokes with no punch lines," lies "about pointless stuff," and never puts things back where they belong. But he did not start out that way; it was only after a traumatic experience that he became "a different seed entirely." Through a mixture of watercolor textures and digital paint, Oswald creates a faded cityscape background. The seeds, on the other hand, have stronger colors and expressive faces. (Their sticklike arms and legs and large eyes make them reminiscent of the California Raisins.) The contrast between the bright, sunlit field and the dark interior of a sunflower seed bag highlights the protagonist's downturn in fortune. Young readers will find the list of all the seed's offenses amusing, and the illustration of the flies and stench surrounding him (he never washes his hands or feet) is sure to elicit laughter. Even the very youngest can follow along as the pictures provide evidence of the seed's bad behavior and the reactions of those around him. This is a story that opens up dialogue about our reactions to life experiences, the consequences of our choices, and the chance to make a change for the better. VERDICT This charmingly illustrated book would be a comical read-aloud and useful for class or family discussions about manners, behavior, and reputation.-Suzanne Costner, Fairview Elementary School, Maryville, TN © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Sometimes this sunflower seed can be just plain rotten!The book's self-professed scoundrel opens with a warning. "I'm a bad seed. / A baaaaaaaaaaad seed." Even other seeds whisper in agreement: that's one bad seed. What makes this seed so bad? Well, he's always late and lies often. He stares and glares and never listens. He cuts in line all the time and never washes his hands or feet. And he does other horrible things too bad to list. Young readers (and some older ones as well) will chuckle at the list of misdeeds, then perhaps wonder whether they're guilty of such baaaaaaaaaaad behavior themselves, but John aims for more fruitful ground. What makes a seed go bad? A tragic back story provides at least one reason for the badness. When the rogue seed decides "to be happy" by doing good, it's not so hard to cheer for him. Loudly. The change may seem abrupt, although there is a sense that being good takes time. Throughout the story, Oswald's digital, watercolor-infused illustrations keep the focus exclusively on the titular bad seed, depicting the world around him hilariously reacting to his misbehavior and using close-upssometimes extreme onesfor comical effect. Small moments of goodness appear that much more profound as a result. A thoughtful, candid look at self-reflection. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

A sunflower seed is certain that he's "baaaaaaaaaaad," and his grim scowl, shown in frightening close-up, certainly seems to indicate incorrigibility. But as the seed catalogues his wickedness ("I'm late to everything.... I lie about pointless stuff. I cut in line. Every time"), it becomes clear that his problem is actually impulsiveness and thoughtlessness-the kind of misbehavior that children struggle with daily. John (Penguin Problems) gives the seed a sympathetic backstory (packaged as a snack food, he barely escaped being eaten) that, along with his eventual determination to change his stripes, should keep readers engaged, even if the turning point is abrupt and the text gets a little Dr. Phil ("I'm ready to be happy.... I'm taking it one day at a time"). Working in digitized watercolors, Oswald (Mingo the Flamingo) makes this antihero's angst vivid and touching, and the world the seed moves in-a metropolis populated by seeds that include peanuts, coconuts, and corn kernels-adds a playful counterpoint of background detail and comedy. Ages 4-8. Author's agent: Steven Malk, Writers House. Illustrator's agent: Kirsten Hall, Catbird Agency. (Aug.) © Copyright PWxyz, LLC. All rights reserved.